Fujifilm FinePix 4700 Zoom review

The IT industry is littered with claims that a new piece of technology will sweep all before it, creating a revolution in its wake. But both history and testing tend to show that these claims often fall short of their ambitious mark. With all this in mind, it was with some well-earned cynicism that we approached Fujifilm's new FinePix 4700 Zoom. The FinePix's centrepiece technology is its new Super CCD. If we're to believe the hyperbole, this technology will do for digital technology what the invention of the parachute did for skydiving.

Here's the theory. More conventional charge coupled devices have their photodiodes arranged in a regular square pattern. Thanks to advances in technology, we've seen cameras like the Nikon CoolPix 990 (reviewed issue 71, p177) boast as many as 3.34 million pixels. The problem is that adding more photodiodes produces diminishing returns, particularly when you're dealing with super megapixel CCDs.

Fujifilm has adopted a different approach, arranging its octagonal photodiodes in a densely packed honeycomb pattern. This, it claims, increases the camera's sensitivity to colour and light, therefore producing better-quality digital images. What's more, it's claimed that the Super CCD is more efficient than its conventional counterpart. Fujifilm claims that a Super CCD with 1.3 million pixels will give picture quality which is on a par with a camera boasting two million. Indeed, with the comparatively lowly total of 2.47 million cells on its CCD, the FinePix 4700 Zoom can generate an output resolution of 4.3 million pixels (2,400 x 1,800). These are brave claims - so now for the reality.

Straight out of the box, the FinePix 4700 Zoom announces itself as a serious contender. It feels and looks like it's benefited from a wealth of inspired design. Both ergonomically and in terms of functionality, the FinePix 4700 has many noteworthy features. To hold and operate the unit is naturally comfortable. It has both a digital and optical viewfinder - a combination that's always a welcome addition to any camera. Fingers fall easily around the controls, and equally important is that the design of the camera doesn't encourage you to plaster your fingers over the lens or viewfinder when you're taking a snap.

Switching on the FinePix 4700 Zoom invokes the silver disk covering the retracted lens to slip down allowing the camera's zoom optics to unfurl. It's great to watch such excellent engineering.

Round the back of the camera, you'll find a 2in low-temperature polysilicon TFT LCD screen and a circular monochrome LCD panel, the latter being roughly the size of a penny. Setup is managed by a selector wheel that sits on top of the camera. Move it to your desired mode and the two displays will adapt accordingly. For example, move the mode selector to Standard Photography mode and the circular display with its four surrounding buttons becomes a means of controlling the digital zoom.

All these plus points and new technologies will be worth little or nothing if the FinePix 4700 Zoom were to produce poor images. As ever, we pushed it through PC Pro's rigorous tests. Under simulated natural light, the FinePix 4700 Zoom's colours did appear somewhat synthetic, particularly when compared with the highly naturalistic results generated by the Sony Cyber-shot DSC-F70 (reviewed issue 72, p193). Under the same conditions, we examined the FinePix 4700 Zoom's ability to capture delicate detail. Again, the Sony just beat it to the finishing post with results that were simply excellent. Close examination revealed that the FinePix 4700 Zoom, in fixed testing conditions, lacked the ability to resolve clearly the sharp thorns of a stem.