Sony DSLR-A100

Sony may be one of the biggest names in digital cameras, but it's so far avoided digital SLRs. Recognising this expanding market but lacking the appropriate experience, Sony teamed up with Konica Minolta last summer.

Then, in January this year, Konica Minolta pulled out of the camera business, transferring its SLR technologies to Sony. One year after the original announcement, Sony has finally launched its first digital SLR, the A100.

The specifications are immediately impressive. For only £581, you get a 10.2-megapixel digital SLR with an 18-70mm lens and built-in anti-shake capabilities - better in every respect than long-term A-List resident, the Canon EOS-350D, and half the asking price of Nikon's 10.2-megapixel D200 body alone.

The A in A100 stands for Alpha, Sony's new digital SLR brand. Alpha bodies employ an Alpha lens mount - simply a rebranded Minolta A-type bayonet. In theory, it should work with any Minolta-mount lens, but Sony's also announced 21 of its own. While most are rebranded Konica Minolta lenses with new focusing and zoom rings, there are a number of brand-new designs, including three from Carl Zeiss slated for release this winter.

The A100 is available with two lens bundles: the standard zoom kit includes the DT 18-70mm f3.5-5.6, while the twin zoom kit includes both the 18-70mm and the longer AF 75-300mm f4.5-5.6 for around £849. Since the A100's APS-sized sensor crops the field of view, these lenses deliver 35mm-equivalent focal lengths of 27-105mm and 113-450mm respectively. The standard 18-70mm enjoys an extra 15mm over the usual 18-55mm range of other budget digital SLRs, making quite a difference in day-to-day use.

The A100 body itself is based on Konica Minolta's earlier Dynax 5D. Externally, Sony has made only subtle tweaks, but has managed to transform the rather angular 5D into a more attractive, modern digital SLR. Measuring a few millimetres wider and deeper than Canon's 350D, it affords the A100 a larger, more comfortable grip, but it's still very compact. The slightly heavier body also lends a greater air of confidence, although the build quality is ultimately of a similar standard to the 350D.

Crucially, the A100 inherits the 5D's best feature: its built-in anti-shake system, now slightly tweaked and rebranded Super SteadyShot and offering three-and-a-half stops of compensation. Unlike rival systems that adjust optics in dedicated lenses, the A100's sensor is mounted on a platform that shifts up to 5mm in any direction to counteract unwanted wobbles. While you can't see the effect through the viewfinder, the upside of building it into the body is that every lens enjoys the benefit. In practice, the system works very well, allowing you to hand-hold much slower exposures than normal.

Again, like the 5D, shooting information is only shown on the main 2.5in monitor, although Sony has thankfully upgraded this to a higher-resolution 230,000-pixel model. Using the main screen most of the time affects battery life, but the larger real estate allows for a great deal of information or, if you prefer, the key facts in larger fonts. Sensors detect the orientation of the camera and cleverly flip the information 90 degrees clockwise or anti-clockwise, so it always remains upright. Sensors also detect when you're looking through the viewfinder, shutting down the screen and automatically starting the auto-focus. You can switch this off, but it's handy for spur-of-the-moment opportunities.

In terms of handling, the A100 feels quick and responsive, starting almost instantly and offering continuous JPEG shooting at 3fps until your card runs out of memory. Spot, centre weighted and multi-segment metering are available, the latter evaluating tricky lighting conditions with ease, although we found Sony's Dynamic Range Optimisation made little difference in our test shots.