Canon MVX2i

Canon's second single megapixel model is designed to go head-to-head with Sony's upright models, such as the PC120. Oddly, it costs more than the typically expensive Sony models, but carries the benefit of an optical image stabiliser. Still, the MVX2i's chassis makes it look like an integral part of Sony's HandyCam range.

It's a well-connected machine, sporting DV and analog inputs and outputs, as well as SD Card support for capture of stills at resolutions of 1,280 x 960. It's not as small as the rest of Canon's consumer range, but the extra size provides a good weight, which can help keep handheld shooting steady. The viewfinder and LCD monitor are sharp and the camcorder's automatic settings are responsive. However, manual control can be fiddly, but Canon provides a tactile focus ring, which responds quickly.

Under white tungsten, picture quality was solid and sharp with first-rate colour reproduction and excellent detail. Also, picture noise was minimal, even in dim lighting. The camcorder struggled under a red-light wash, though, with highly saturated colour and little detail in shadows or highlights. Green and blue lighting appeared slightly washed out too, but detail was fine.

Outdoors, the MVX2i really shone, delivering gorgeous colour, rich tone and excellent detail. Strong diagonal lines were handled well, and the optical image stabiliser did a great job of compensating for camera shake.

Those wanting a good single-chip camcorder with decent stills capabilities will be tempted by this Canon. Its sensible tape carriage and optical image stabiliser give it a distinct advantage over competing Sony models, but Sony's TRV50E offers similar image quality for considerably less.