Olympus C-2000 Zoom

Ever since the dawn of the digital camera age Olympus has graced the market with a series of excellent products. ItsæC-800L may have had a lukewarm reception, but the C-820L soon rectified that by picking up a well-deserved Quality award in our very first digital camera Labs (reviewed issue 38, p138). Soon afterwards, the introduction of the C-1400L (reviewed issue 41, p184) - the only non-professional digital SLR (single lens reflex) camera we've seen to date - raised the quality bar yet again and ever since then, with the C-840L and C-900 Zoom, Olympus has continued to produce high-quality, good value cameras.

The company's response to the most recent technology advance - the two million pixel CCD - is its C-2000 Zoom, which follows hot on the heels of Nikon's CoolPix 950 (reviewed issue 58, p166), Sony's CyberShot DSC-55E (reviewed issue 58, p167) and Fujifilm's MX-2700 (reviewed issue 56, p176).

At first glance, the C-2000 Zoom is a bit of a departure for Olympus. It's small, but its serious looks are a long way from the compact camera guise of the 800 series cameras or the pseudo-professional leanings of the C-1400L - and its aluminium body gives it a feeling of quality. The integrated sliding lens cap has gone, as have the 'gold' shutter buttons, to be replaced with a now more familiar range of controls. The mode selector, for example, comes in the form of a rotating collar with the power switch set into its centre. The rather small shutter button set just in front of this is also surrounded by a collar, which this time is used to control the 3x, 35-105mm equivalent zoom lens - another feature that's becoming increasingly popular on modern digital cameras.

This zoom control also doubles up as a way of changing the view mode when reviewing photographs, allowing you to move from thumbnail view to up-close zoom in a few moments. This, coupled with a four-way pad on the rear and three more buttons, makes the Olympus an extremely intuitive and uncomplicated device to operate. At the same time it's an extremely responsive system too. Unlike the bad old days of digital cameras, when moving between photos on the review screen and processing pictures after shooting took absolutely ages, the C-2000 Zoom feels positively light on its feet.

In terms of features too, the C-2000 Zoom is extremely impressive. It may not be quite on a par with the bewilderingly featured Nikon CoolPix 950, but it does contain all of the most crucial elements. Aperture size or shutter-speed priority settings as well as a fully automatic mode can be selected using the collar around the power switch. ISO sensitivity can be adjusted manually to three settings (100, 200 or 400), you can fiddle with the white balance to match the lighting conditions, and light metering can be toggled between spot and matrix modes. Interestingly, although I have yet to be totally convinced of its real worth, Olympus has also chosen to include an infrared remote control with the C-2000 Zoom. This feature not only allows you to control the shutter without disturbing the camera in its finely adjusted tripod position, but it also allows you to zoom in and out hands-free.

Like all Olympus cameras before it, the C-2000 Zoom uses the waif-like SmartMedia format to store its images. SmartMedia cards don't feel as robust as the CompactFlash alternative used by most other manufacturers, but in operation there's little difference. An 8Mb card comes as standard with this camera and you can choose to store images on it with either varying degrees of JPEG compression or as an uncompressed TIFF. Needless to say, the latter offers the best quality, but since each shot will take up a rather unreasonable 5.49Mb, it's probably wise to stick to the camera's SHQ (super high quality) setting. This gives file sizes of about 930Kb, allowing you to fit eight on the card at any one time.æ