Features
The online music rip-off
There's a proposed exception to the law to cover format-shifting: the process of creating a copy of a work you legally own. The bad news? The Music Business Group wants a licence governing when and how format-shifting should take place, and is asking the government to recognise that it has a monetary value, in the shape of a levy. Who would pay this levy? The hardware manufacturers, and through them - indirectly - us.
The death of DRM
Luckily, DRM is dying, at least in the download sphere. Napster's Dan Nash believes that DRM-free is "the general way things are going". In his opinion, record companies "have no choice but to adapt"; those that "stick to DRM on a pay-per-download basis will not remain competitive".
In the US, Napster has joined Amazon in selling DRM-free content in MP3 format from all the major labels. Over here, online stores from Play.com and 7digital are already selling DRM-free content
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Going DRM-free makes sense not just for consumers, but for the industry. Deutche Telekom says three out of four technical support calls its Musicload service had to deal with were the result of DRM. And when it offered a DRM-free option to artists they saw a 40% increase in sales.
That said, the future still isn't entirely DRM-free. "For rental, or subscription, or whatever the model is that develops, there needs to be some sort of DRM to track usage," said Wheeler. Dan Nash agrees. That's hardly unreasonable; you can't expect to copy tracks willy-nilly when they're being rented. What you can and should expect is that DRM won't get in the way of you doing what you've paid to do - enjoy the music you love.
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